Television
Sound that holds up under pressure.
In television, every second counts. Whether it’s live or pre-recorded, sound needs to be clean, consistent, and fully in sync with the production. There’s no margin for error. Audio should enhance the moment, never distract from it.
How I Approach Television
Working in television means designing for speed, pressure, and precision. Every production is different, so I begin by understanding how the show moves, who the collaborators are, and what challenges need to be addressed before the first take.
My role is to create and manage sound solutions that work within the structure of a broadcast team—from planning and setup to execution and troubleshooting. That includes mixing dialogue, balancing music, integrating IFB and comms, or coordinating remote environments. I work closely with producers, engineers, and technical directors to make sure the audio is solid, seamless, and invisible to the viewer.
Planning a broadcast?
Production Highlights
The Tonight Show with Jimmy Fallon — Remote Audio Coordinator (2014 to Present)
NBA Bubble — Multi-arena live audio coordination for national and international broadcast (2020)
Disney’s Broadway Hits — Captured for Disney+ and BroadwayHD
BC/EFA’s Broadway Backwards — Live-to-tape benefit performance at the Hirschfeld Theatre
Kathy Griffin Wants a Tony — Broadway performance taped for broadcast
Liza’s at the Palace — Broadway run recorded for television and DVD release
Put Award-Winning Sound Behind Your Broadcast
When the pressure’s on, the audio has to deliver.
Live or recorded, television doesn’t give second chances. With Emmy-winning experience in broadcast audio, I bring the precision, clarity, and fast problem-solving your production needs—on set, on location, or in the control room.